-
UNDERNEATH
THE COVERS
A
look at the many cover versions of songs
by Cat Stevens
-
BY
GEORGE BROWN
CAT BY PROXY – AN INTRODUCTION
Hopefully
the following essay gives interest and information
on the many Cat Stevens cover versions that
have appeared over the years. It should
make a nice companion book to Cat Stevens
– The Complete Illustrated Biography
& Discography!
Right
from the outset of Cat’s career, his
contemporaries were queuing up for pages
of his songbook. Steven Georgiou originally
started out as a songwriter. I first decided
to write this article after reading an interesting
thread on the old UK ‘Remember Cat
Stevens’ website. I found that being
a sad individual and wearing my Cat Stevens
anorak at the time – I was not content
with collecting just Cat Stevens’
songs alone! My interests had veered towards
the many cover versions recorded by the
well known and not so well known artists
who had used Cat’s songs.
For
me, the best interpretation of any of Cat’s
songs is by the man himself. However, it’s
always good to hear what other artists have
done with his material. Cover versions in
general have always fascinated me. Especially
in the way that a singer/arranger can reinvent
someone else’s work. Two songs that
immediately spring to mind are Joe Cocker’s
version of ‘With A Little Help From
My Friends’ and Jimi Hendrix’s
majestic ‘Hey Joe’. It’s
best forgotten that William Shatner tackled
‘Lucy In The Sky With Diamonds’!
Led Zeppelin based most of their early material
on old Blues pioneers work – bringing
the genre into the mainstream. Where would
the Beatles and Rolling Stones have been
without people like Arthur Alexander, Chuck
Berry, Carl Perkins, Little Richard, Willie
Dixon et al? Some covers have become definitive
versions; Robert Wyatt on Elvis Costello’s
‘Shipbuilding’; Harry Nillson
on Badfinger’s ‘Without You’;
Sinead O’Connor on Prince’s
‘Nothing Compares 2 U’; P.P.
Arnold on Cat Stevens’ ‘The
First Cut Is The Deepest’…
Without
wishing to go off on too much of a tangent
– this account focuses on how the
songs of Cat Stevens were developed, stroke,
murdered! I have tried to stay as non-judgemental
about these as my conscience allows me!
The original working title of this essay
was in fact called, ‘The Good, The
Bad & The Ugly’!
This
is by no means a definitive list! I want
someone to unearth Barbra Streisand singing
some Cat songs, allegedly true, circa 1970/71!
Let’s keep the thread going –
over to you!
George
Brown
December
2001/Updated September 2006
OTHER
ARTISTS SONGS BY CAT STEVENS
ANOTHER
SATURDAY NIGHT
Let’s
start with two songs by other artists that
Cat covered himself! ‘Another Saturday
Night’ was of course the great Sam
Cooke favourite.
BLUE
MONDAY
‘Blue
Monday’ was written by Dave Bartholomew
and made famous by Antoine “Fats”
Domino, a childhood favourite of Steven
Georgiou’s. Fats was the king of pre-Elvis
rock and is still going strong to this day
– thank God he was one of the survivors
plucked from the rising New Orleans flood
waters. Smiley Lewis recorded Blue Monday
exquisitely too, three years before Fats’
version, in ’54. Favoured by Cat during
his Majikat concerts in the mid ’70s
– Cat has only recently officially
released the song on the Cat Stevens box
set. The sentiment in the song is the same
as ‘Matthew And Son’, ‘Friday
On My Mind’, ‘Gold Watch Blues’.
Work is a four letter word.
DON’T
LET ME BE MISUNDERSTOOD
Nina
Simone was someone who was greatly admired
by the young Steven Georgiou. There was
often something in his voice that was reminiscent
of Nina Simone (e.g. ‘Image Of Hell’,
‘Miles From Nowhere’). Yusuf’s
version is much slower and less raucous
than the Animals’ UK hit version but
very nicely handled with a great orchestral
arrangement. Yusuf chose the song for his
first album in 28 years – the lyrics
are a good response to his critics.
CAT STEVENS
SONGS BY OTHER ARTISTS
BABY
GET YOUR HEAD SCREWED ON
Cat’s
first producer, Mike Hurst, produced a fine
version with the Deram vocal due Double
Feature which consisted of Brian Lake and
Bill Hall. They were “singing postmen”
from Birmingham. Their fine version has
an almost psychedelic feel, with soulful
vocals and cello. Well worth checking out.
BITTERBLUE
Has
been covered in recent years by ’70s
singer-songwriter Melanie. Kin Vassy, who’d
worked with Frank Zappa, released a fine
single version.
BONFIRE
Linda
Lewis released the song as a smouldering
single, produced by its writer. She was
a successful solo artist and provided backing
vocals for Cat, notably on ‘How Can
I Tell You’ and ‘Angelsea’.
She also supported Cat on tour.
CAN’T
KEEP IT IN
Sweden’s
Kari Fall released the song as ‘En
Pida’a’tt’a’a’
M’a’ Voi’!
CHANGES
IV
The
jubilant New Seekers released this on album.
Santana and Martyn Kaye issued it on 7”
platters to an unappreciative public. Dipping
in to the Google pot, an amateur unsigned
artist called The One has done a “Melophonic
remix” of the sampled original.
DON’T
BE SHY
Top
UK band Travis recorded the song on their
‘Re-Offender’ CD single.
FATHER
& SON
It’s
hard to believe that this song has been
around for over 30 years. In recent times,
UK boy band Boyzone had a massive hit with
it. Their lead singer, Ronan Keating, issued
the song again in 2004 with Yusuf Islam’s
paternal vocals. It reached number 2 in
the charts. The delightfully named Me First
& The Gimme Gimmes also tackled the
song. They released it with ‘Wild
World’ on the flip side and affectionately
entitled their single ‘Stevens’.
The picture cover features a concert photo
of a young Ravi Shankar and colleagues.
The song lends itself more to the style
of late ’70’s new-wave “power-pop”.
Not a single sitar is heard!
Other
paternal celebrities who’ve seen the
worth of the song include: Berni Flint,
Johnny Cash & Rosey Nix – the
“father and daughter” team called
it just that. They handled the sentiment
impeccably. The song was also released just
after Johnny Cash died on the ‘Johnny
Cash – Unearthed’ box set collection
– this time with Fiona Apple. Richie
Havens recorded it as ‘Fathers &
Sons’. Sandie Shaw released it as
a single in ’72 – from a “mother
and daughter” perspective. Production
was by Herbie Flowers, of Blue Mink and
coincidentally the bassist on Cat’s
‘How Many Times’. There’s
quite a strong rumour that The Smiths recorded
a version too, as both Morrisey & Marr
were huge Sandie Shaw fans – although
said to have got no further than rehearsals.
The Barron Knights, the ’60’s
comedy band that used to send up pop hits
of the era, sang it straight – using
Cat’s trick of having two different
pitched voices. Rod Stewart, who has fathered
7 children and knows a good song or two,
has recorded ‘Father & Son’
on his #1 selling Classic Rock Hits CD collection
– he’s a masterful interpreter
of other artists songs. Some Rod & The
Faces era fans are saying that Maggie May
is turning in her grave! Rod’s voice
has changed following surgery – his
version has stupendous production.
FILL
MY EYES
Linda
Rondstadt recorded this in country style
with banjo accompaniment, as a guest on
Cat’s ABC Moon & Star concert
in ’73. Recently it has been immortalised
on Youtube. A great performance and a great
cause of frustration to Cat fans –
the campaign for the release of the entire
show never dwindles.
THE
FIRST CUT IS THE DEEPEST
Consistently
good cover versions abound for ‘The
First Cut Is The Deepest’. Cat’s
song sat modestly on his first Deram album.
Andrew Loog Oldham, Rolling Stones’
manager and Immediate label boss, liked
the song and passed it to P.P. Arnold. Pat
was the petite American ex-Ikette with the
huge voice. She sang on some classic tracks
such as ‘Tin Soldier’ by The
Small Faces. She had her debut top 20 chart
success with the song – which was
also produced by Cat’s first producer,
Mike Hurst. The combination of Pat’s
breathtaking vocal and Small Faces’
Ian MacLagan’s piano work, makes this
the finest Cat cover moment. A true ’60s
pop classic. The Koobas (formerly Kubas),
handled the song in a very raw manner. Rod
Stewart took the song to number 1. The ’60s
band Love Affair, fronted by Steve Ellis,
also cut a version. The Dutch band called
Danish Lost & Found, Keith Hampshire,
David Essex, Gene Pitney and an unknown,
called Martin Simpson, all had a bash at
it. Terence Trent D’Arby confined
his recording of the song to a concert video.
Many reggae artists seem to favour the song,
i.e. I-Roy, K.C. White and others. A very
dubious handling of the song exists on a
CD by The Sweet! Linda Rondstadt sang it
as her second Cat song, on the ABC Moon
& Star Concert, a real treat. Sheryl
Crow released the song as a single in 2003,
using more of the Rod Stewart arrangement
than any of the other hit versions.
HARD
HEADED WOMAN
Another
talented Island artist, Mike Harrison, recorded
a cover of this, after disbanding Spooky
Tooth to pursue a solo career.
HERE
COMES MY BABY
In
swinging London – during ’66,
Cat wrote the bitter-sweet ‘Here Comes
My Baby’. The Tremeloes had a ball
on their number 4 hit version, prior to
Cat’s release. It was almost Cat’s
first single, but ‘I Love My Dog’
was thought to be stronger – on both
songs you only have to hear the melody once
and you’re humming them for the rest
of your life! Cat’s jazzy original
of “Baby” sounded sombre by
comparison to the Trems’ cut –
with their whistling and jollity. Their
live take in cabaret was hysterical, when
they sang the line “…I try to
call you names”, they inserted the
phrase “parrot-face”!
Joe
Loss & His Orchestra released it the
same year as a “Quick-step”
along with other ’67 hits, sanitised
as dance arrangements. The veteran Phil
Spector produced band, Bob B. Soxx &
The Blue Jeans did a version too. During
the ’70s, new-wave bands such as The
Jags and The Smith (not the plural, with
no relation to the Morrisey & Marr band)
picked up on the merits of the song with
their jerky treatment. Dottie West and later,
The Mavericks issued country arrangements.
James Last, who must be a record holder
for the amount of cover versions physically
possible from one man and his orchestra,
issued “Baby” on his James Last
Goes Pop album.
HONEY
MAN
Never
officially released until the 4 CD box set
release by Cat in 2001! Elton John &
Cat Stevens first recorded it in ’70,
but record company politics prevented its
release originally. Two cover versions did
get released as singles to a complacent
record buying public – the first by
Sweet Salvation in ’70 and then by
Brotherly Love in ’72. Cat had co-written
the song with his friend Ken Cumberbatch,
who had contributed the piano based riff.
HOW
CAN I TELL YOU
Recorded
sensitively by Herb Alpert’s Mrs.
– Lani Hall in ’72, on her debut
album. Prior to this, she was lead singer
with Brazil ’66 for almost six years.
HUMMINGBIRD
Jackie
Trent issued this early Cat song, about
the demise of a young girl, as a single
in March ’67. Hard to believe that
Steve Georgiou wrote this song aged 17.
I
LOVE MY DOG
There’s
some canine affection by way of cover versions
for Cat’s first single, ‘I Love
My Dog’. One Carolyn Hester has recorded
the tune. Also, covered in ’69 by
Lynn Randell – a Liverpudlian-raised-in-Australia
recording star and ex girlfriend of Davy
Jones of The Monkees and former Melbourne
hairdresser; Theo Bikel, folk singer, theatre,
film and television actor, radio presenter,
political activist, Jewish spokesperson
and guest murderer on ‘Columbo’,
also lays claim to covering the song. Funky
soul diva, Sweet Linda Divine (Linda Tillery),
recorded her version in ’69 on her
self-titled album. Mike Batt, famous for
those furry children’s TV characters,
The Wombles, and most recently Katie Melua’s
mentor, recorded a version too. In fact,
he produced, arranged and conducted a whole
album of Cat covers in ’71. He also
pilfered the back catalogues of The Rolling
Stones, Elton John, Simon & Garfunkel,
Bob Dylan and George Harrison in his ‘Portrait
Of…’ series of budget priced
instrumental lp’s. Only for the most
dedicated Cat junkies.
I
LOVE THEM ALL
Ayshea
Brough was once married to Cat’s ’60’s
co-manager, Chris Brough. She presented
a children’s TV pop show called ‘Lift
Off With Ayshea’. She’d introduce
hit-makers of the time and also had her
own singing slot. She made several singles
and a couple of albums. Her version of ‘I
Love Them All’ is poppy and sweet,
with some giggles at the end!
I’M
GONNA GET ME A GUN
New
wave/power pop version by Dirty Tricks in
’79.
I’VE
FOUND A LOVE
Operatically
trained Liverpudlian, David Garrick recorded
it with Cat’s arranger/conductor Alan
Tew. It deviates only very slightly from
Cat’s original arrangement.
LADY
During
’67, everyone who was anyone wanted
to dip into Cat’s box of songs. Wayne
Thomas recorded Lady as ‘I’ve
Never Known A Lady’ in April ’67.
Dave Walton was another contender in the
same year.
LADY
D’ARBANVILLE
Surprisingly,
there are some diverse versions of this
one! An overstated gothic version was recorded
by the cult band And Also The Trees. There’s
also a Gregorian chant of the song on a
CD recorded in Hamburg! One Reg Dwight,
aka Elton John – recorded the song
during his pre-fame days. He recorded anonymous
sessions just prior to hitting the big time
– his work can be found on a number
of budget priced “Hits” lp’s.
The record sleeves tried to entice buyers
with pictures of scantily clad women, plus
the challenge – “Can you tell
the difference between these cover versions
and the original artists?” Usually
in very small print!
Another
foreign oddity, in 1970, Gigliola Cinquetti,
Italian 1964 Eurovision Song Contest winner
– released an Italian language version
of ‘Oh (sic) Lady D’Arbanville’.
MATTHEW
& SON
The
first known cover of the song was by Mike
Vickers (of Manfred Mann) – on his
solo album in ’67, entitled ‘I
Wish I Were A Group Again’. He was
also Cat’s musical director on his
last couple of Deram 45 sides. Some obscure
artists have also covered the song. It was
recorded in ’82 by a band called Hey
You. ’60s producer Miki Dallon recorded
a version with a band called Apollo 100
in the same year. Another cover exists by
The Cuban Heels! The popular ’60s
band Dave Dee, Dozy, Beaky, Mick & Tich,
recorded the song too.
MONA
BONE JAKON
A&M
stable-mates Hater, recorded this track
with additional lyrics by Ben Shepherd.
They tagged on quips like “I’ve
got no songs in my heart – they’ve
all gone away.”
MOONSHADOW
Cat
was flattered to hear that ‘Moonshadow’
was re-worked into a lengthy soul version
by Labelle. Their live 9:24 minute cut was
recorded live at the Record Plant in L.A.
and included on their album entitled ‘Moonshadow’.
Cat went to see them in concert to check
out their performance of his song. British
“folkie”/entertainer Roger Whittaker
whistled his way through the song too! US
actor/singer and Cat fan Mandy Moore used
the song in her collection of true classics
entitled ‘Coverage’. The song
has also been covered by Berni Flint and
allegedly sung in concert by British punk
band the U.K. Subs!
MORNING
HAS BROKEN
The
song depicts God’s creation - life,
awakening and growth are celebrated in its
verses. Probably the best-known cover version
of this song was by the Cat himself! It
was originally a poem by Eleanor Farjeon
(1881-1965). The lovely Eleanor was a writer
of tales and light verses for young children.
She was commissioned to write ‘Morning
Has Broken’ for Songs Of Praise editor
Percy Dearmer to an old melody. She was
paid Three Guineas for it (£3.15/$4.50)!
The tune came from a Gaelic melody from
the 1880’s, called ‘Bunessen’.
It had first been used on a Christmas Carol.
On numerous post 1971 vinyl releases, credits
range from; Stevens/Farjeon, Stevens/Trad.
Arr., or Trad. Arr./Farjeon. “Traditional
Arrangement” usually means borrowed/stolen!
Cat certainly was responsible for its arrangement
but the tune and words are from someone
else. He’d never heard of the song
when he discovered it while flicking through
a hymn-book in Foyles bookshop in the West
End! Alun Davies, his guitarist, recognised
it from morning assembly at school. Rick
Wakeman, majestically caressed the ivories
on Cat’s “hit hymn”. The
single was released in earnest and not a
gimmick, coming from someone set on a spiritual
search. Maybe Cat was impressed with Judy
Collins’ update of ‘Amazing
Grace’, issued a little earlier. Judy
Collins herself has covered “Morning
Has Broken”!
To
this day, people would not be requesting
the song at weddings and funerals if not
for Cat’s version. It reintroduced
the song to the Christian and agnostic masses.
Out of Cat’s entire repertoire, it’s
the one that has attracted the most cover
versions. It’s also the one possibly
most played on the radio, largely on Sunday
mornings.
Another
contender was Mike Sedgwick. His version
gallops along with harpsichord and determined
vocals. He was once a member of George Mitchell’s
Singers and had honed a recording career
alongside ’60s novelty releases from
singing nuns, postmen and three legged men.
As a presenter on the Five To Ten Show on
BBC radio, he’d play devout popular
hits every day.
The
New Seekers, released the song in typically
twee fashion. Irish singer Dana, who won
the Eurovision song contest in ’70
with ‘All Kinds Of Everything’,
interpreted the song when her career blossomed.
Ex-Goon
and religious TV presenter, the late Sir
Harry Secombe released it with hearty operatic
tones. As kids in England, we always hoped
he’d lapse into his Neddy Seagoon
guise and blow a raspberry during his “serious
singing” on TV – it would’ve
helped! Actor turned singer, Edward Woodward
– TV’s ‘The Equaliser’,
gave it similar treatment. A gifted rendition
came from the then Welsh schoolboy, Aled
Jones, now a broadcaster on BBC Radio 2.
The
Beverley Sisters, one of Britain’s
most famous sister acts, absolutely adored
the song. They sang it regularly on TV’s
‘Stars On Sunday’ programme
and also committed it to vinyl. In ’92,
Neil Diamond covered the song as a single
release (produced by Peter Asher) with a
vocal choir, lifted from his Christmas album.
You can imagine him singing it by the Christmas
tree, seated in a rocking chair, roasting
chestnuts on a huge log fire! Vinyl releases
are also abundant by ten thousand grizzly
elderly gentlemen with the sweetest voices,
with Cat aspirations – sung by male
voice choirs the world over!
The
above is just the tip of the iceberg, obsessed
completists should look out for the following
‘Morning Has Broken’ cover artists
at their next charity shop or flea market
excursion; Tommy Darky, Valerie Dunbar,
Mary O’Hara, The King Singers, Val
Doonican, Acker Bilk, Roger Whittaker, Bert
Weedon, Kenneth McKeller, Ralph McTell,
Mark Robson, Jimmy Shand Jnr., Ann Williamson,
Harold Winkler, Nana Mouskouri, Art Garfunkel,
not to mention a Moog Synthesizer version
by The Elektronic Cokonut… and there’s
even more! The most recent version is by
the stellar Celtic band, The Chieftans (also
aided with Art Garfunkel and Diane Krall).
Their chilling version was recorded on an
Antarctic cruise with the seals and penguins
of Deception Island as their audience.
Suzanne
Lynch may be a familiar name. She was a
success at 14 in her native New Zealand.
She was the blonde member of vocal duo The
Chicks. She went solo in ’69 and a
regular performer on the hit TV show ‘C’mon’.
She was voted N.Z, entertainer of the year
in 1970. She headed to London in the early
’70s and lead Cat’s vocal group
for 5 years including 2 world tours and
4 albums. She recorded ‘Morning Has
Broken’ in ’72 with hubbie Bruce
(producer and one of Cat’s bassists).
On
‘Teaser & The Firecat’,
‘Morning Has Broken’ nestled
so unusually between ‘Tuesday’s
Dead’ and ‘Bitterblue’.
It was so refreshing and remains timeless
by Cat Stevens, the song is now an institution…
and if you own just a fraction of the above
releases, then you should be living in one!
PEACE TRAIN
10,000
Maniacs released the song to the masses
as a single and on their ‘In My Tribe’
album in ’87. Peter Asher produced
the recording with Natalie Merchant’s
strikingly evocative vocals. Dolly Parton
also had a soft spot for the song and its
sentiments. Her rendition was recorded with
the South African group Ladysmith Black
Mambazo. All manner of “Holy Roller”
mixes and radio edits of the song were issued
on the CD single. Yusuf supported their
version with an interview that was run on
a TV show that featured Dolly’s favourite
songs, called ‘Treasures’. Johnny
Hammond, the soul-jazz organist, also issued
the song on album. Richie Havens covered
it too. He was very much a covers artist,
his soulful renditions added a whole new
dimension to other artist’s rock,
folk and country tunes. A fine example on
George Harrison’s ‘Here Comes
The Sun’. Brit-folkie Roger Whitaker,
who’d also covered ‘Moonshadow’
and ‘Morning Has Broken’ also
did a passable rendition of Peace Train
on his ’78 album ‘Imagine’.
Regrettably, he also covered Morris Albert’s
‘Feelings’, blowing all credibility!
POP
STAR
The
Louisiana high priest of Gris Gris music,
Dr. John guested with Linda Rondstadt on
the ABC Moon & Star concert in ’73.
Largely re-worked into his unique mystical
voodoo style! It’s essential that
the entire concert is restored and issued!
PORTOBELLO
ROAD
Cat’s
right hand man, Alun Davies recorded the
song on his solo album – produced
by Cat and Paul Samwell-Smith. It’s
a gem – with nice banjo by Charlie
Gaisford. Ellie Janov (her father also fathered
Primal Scream therapy) recorded the only
other known ’60s version.
(REMEMBER
THE DAYS OF) THE OLD SCHOOLYARD
Linda
Lewis had a minor hit with the song in ’74.
Like her version of ‘Bonfire’,
it doesn’t differ greatly in arrangement
but it’s a great treatment.
SAD
LISA
Female
vocalists seem to like this song. Once covered
by Angels Of Venice. Marianne Faithful recorded
a version. Sarah McLaughlin, who as a teenager
used to shut herself in her bedroom listening
to Cat’s music, also favours the song.
Franck Pourcel, the French easy listening
guru covered the tune with scrumptious strings.
SILENT
SUNLIGHT
Yusuf’s
friend and fellow British Muslim, Dawud
Wharnsby Ali has done an amazing rendition
of Cat’s old song. The song always
seemed reminiscent of a hymn. Dawud’s
version has beautiful harmonies and subtle
percussion.
TEA
FOR THE TILLERMAN
How
incredible that the agonising but truly
inspirational Ricky Gervais comedy series
Extras should have Cat’s ‘Tea
For The Tillerman’ as its theme tune!
Each episode ends with Cat’s uplifting
vocal which works so brilliantly after so
many embarrassing tensions unfold in each
story. Chris Martin of Coldplay appeared
in Episode 4 of the second series and his
version of “Tillerman” is heard
at the end, with Ricky Gervais on backing
vocals! A wonderful happy day for Cat and
Coldplay enthusiasts.
TROUBLE
Never
committed officially to CD or vinyl –
but both Pearl Jam and The Red Hot Chili
Peppers have used this song in concert and
have been heavily bootlegged! Kristin Hersh,
from the Indie band Throwing Muses, tackled
the song on her solo CD ‘Sunny Border
Blue’. A poignant, minimalist version
– Kristin exorcised some of her own
personal mental health demons using Cat’s
fine song. When one hears Cat’s sorrowful
version of the song it immediately strikes
you down with that weary vocal from someone
who’s clearly had enough. It was one
of the last songs ever recorded by Elliot
Smith, the song struck a chord with him
and tragically he recorded it just weeks
before committing suicide in 2004. He was
also working on a cover of John Lennon’s
‘Isolation’ in his last few
days.
............................................................WAS
DOG A DOUGHNUT
John
“Jellybean” Benitez released
a hypnotic version on the rear of his version
of the Madonna song, ‘Sidewalk Talk’.
The writer credits go to Yusuf Islam. Possibly
Cat’s most uncharacteristic tune!
WHERE
ARE YOU
Craig
Scott (who?) recorded this on the B-side
of his single called ‘Smiley’
- a couple of years after Cat’s release.
Obscure, but not essential!
WHERE
DO THE CHILDREN PLAY
Ireland’s
Jakoma and Leona Daly recorded this as a
fundraiser for the Children’s Hour
charity. Tim Russ, who plays the Vulkan
in Star Trek Voyager, has recorded ‘Where
Do The Children Play’! He issued a
CD of his own original songs and a few favourites.
Horace Andy, a highly rated Jamaican ska/reggae
artist, recorded the song with some amended
Kingston Town lyrics. More recently recorded
reggae-style by Big Mountain. One of the
best tracks on Dolly Parton’s ‘Those
were The Days’ CD is a great version
of the song, with one Yusuf Islam contributing
acoustic guitar. A great 60th birthday gift!
This was sent by email, from Yusuf in London
to Dolly in Nashville.
WHISTLESTAR
Herb
Alpert puckered up for some instrumental
quasi-Latin rhythm and re-titled it ‘Whistle
Song’. Possibly approved by Cat through
his US association with Alpert & Moss
(Trivia note: A&M Records’ founders
– they had developed their famed record
label from Herb Alpert’s converted
garage! A parallel, almost, with UK Island
Records’ boss Chris Blackwell who
had sold discs from the boot of his Mini
Cooper!)
WILD
WORLD
Now,
‘Wild World’ is an interesting
one. Cat said that at the song’s induction
that it was “just another song, in
with all the others.” It was a big
hit for him in the US. At its outset in
England, it was given to Chris Simmons.
His was a polite but unexciting interpretation,
which sounded more like one of those cheap
“sound-a-like” albums. Jimmy
Cliff, on the other hand, understood the
song perfectly. Jimmy and Cat got together
a small band, which included Doris Troy
on backing vocals. Cat played piano and
produced it quickly and simply. The song’s
spirited vocals and spontaneity ensured
a top 10 hit – quite different from
Cat’s strummed version. The Gentry’s
recorded their string-laden version at Sam
Philips’ famed Sun Recording Studios
in Memphis, Tennessee.
Maxi
Priest continued the reggae tradition with
his “long and saxy” engaging
skank of the song. Recorded also by; Mr.
Big, Tito Simon, Steve Young and sacre bleu!
Sacha Distel!
The
Pet Shop Boys were accused of plagiarising
the song when their single ‘It’s
A Sin’ was released. Strongly denied
by Messrs Tennant & Lowe, Cat was flattered
whether it was a coincidence or not. Jonathan
King engineered the controversy in his tabloid
newspaper column and The Pet Shop Boys tried
to sue him. King courted publicity further
– capitalising on both versions merged
into one with his own single, ‘Wild
World/Ways To Be Wicked’. Both his
interpretation and sleeve illustration by
are totally bizarre!
Jose
Feliciano recorded the song too in ’71,
on his ‘That The Spirit Needs’
album. Coincidentally, this had an equally
strange gatefold cover painting, later withdrawn
and replaced with a more appropriate image!
Jose’s album contained a few originals
with Cat’s tune and a couple of Elton
John/Bernie Taupin numbers.
Willie
Ellison did a truly appalling bare-chested
electro/rock version in ’80. Franck
Pourcel’s Orchestra gave ‘Wild
World’ the sunshine orchestral sound.
A
recent and radical version of the song is
by an unsigned, independent US Rap artist:
E-Real of Cleveland, Ohio. He uses the lyrics
of the song in what most Cat fans, would
probably view as a taboo medium. The song
is refreshing however, it brings Cat’s
legacy right up to date and makes his words
accessible to a totally different audience
– from the CD entitled ‘In My
Mind’, which is highly recommended.
Beth Orton recorded a husky cover of ‘Wild
World’ exclusively for the film ‘How
To Deal’, which also features Cat’s
original version.
THE
WIND
An
exquisite version, with a string quartet,
of ‘The Wind’ appears on Mary
Hopkin’s ‘Earth Song, Ocean
Song’ album. The song turned full
circle when Yusuf Islam covered it too!
CAT
STEVENS SONGS RECORDED BY OTHER ARTISTS
BUT NEVER BY CAT
To
finish off, some Cat Stevens songs only
issued by other artists! These are the holy
grail of cover versions and very hard to
track down:
DEAR
– MIKE STUART SPAN
An
early rudimentary Cat song, released in
June ’67. The gifted Brighton-based
psychedelic band had little success and
later became Leviathan. EMI dropped the
band after the Cat cover flopped.
GONE
GONE GONE – CHRIS SIMMONS
A
Howard, Blaikley, Cat Stevens number, produced
by Mike Leander on the poppy B-side of “Soraya”,
in ’69. Another flop, the obscure
Cat collaboration is likely to contain some
of Cat’s words and melody. It’s
opening line is “When I was a child,
everything was crystal clear…”
which is typical of Cat’s outlook.
As mentioned earlier, Simmons had released
the earliest known cover of ‘Wild
World’, just prior to Jimmy Cliff.
THE
JOKE – ALLAN NICHOLLS
/HOWL THE GOOD
There’s
an expression that goes “you wait
for a bus and then three come along”!
The Cat Stevens box set contained an interesting
and uncharacteristic unreleased ’70
song called ‘The Joke’. It had
previously existed in single form covered
by Allan Nicholls in ’72 and as an
album track in ’72 by Howl The Good.
Both offer impressive rock cuts, the former
produced by Eddie Kramer, and the latter
by Gary Wright.
KEEP
IT OUT OF SIGHT – PAUL & BARRY
RYAN
The
identical twin sons of ’50s singer,
Marion Ryan, released the song in February
’67. A hit at number 30 UK chart placing.
The Ryan brothers had been given some dreadful
songs to cover previously – fortunately
this was not one of them. It’s a great
piece of pop in the same style as ‘Matthew
& Son’.
LONDON
AT NIGHT – PETER & GORDON
The
obscure US only album ‘In London For
Tea’, by the “British Invasion”
duo of Peter Asher and Gordon Waller –
contained the very pleasing sounding ‘London
At Night’. A “lost” Cat
song, never etched onto vinyl by its composer.
Written about searching for love in the
beautiful city.
Note:
There are two other Peter & Gordon songs
with a ‘Stevens’ credit. ‘Brown,
Black and Gold’ (Lease/Stevens) &
‘Sally Go Round The Roses’ (Sanders/Stevens).
No Cat connection is likely on these –
the former was a US R&B hit, previously
recorded by the Jaynettes and produced by
Phil Spector.
MOUNTAIN
– MILTON NASCIMENTO
This
co-written Nascimento/Stevens track appeared
on Milton Nascimento’s CD/album ‘Yauaretê’
in ’87. The spiritual song is sung
jointly in English and Brazilian.
NEVER
PLAY A B SIDE – SASHA CARO
Sasha
Caro (real name: Caro Minas) was one of
two artists’ that Cat had produced
and supported during ’67 and ’68.
The other was Peter Janes (aka Peter James
Horgan). ‘Never Play A B-Side’
was the novelty flip of ‘Molotov Molotov’.
Cat is featured on the A-side and “introduces”
the song with a Russian accent! The Cat-written
A-side is an off the cuff piece of humorous
word play.
PEOPLE
PEOPLE – NORMAN OLIVER
In
’68, Oliver Norman recorded the Cat-song
‘People People’. A true oddity,
with lots of tempo changes. It’s only
recently been discovered as a lost Cat song.
Produced by famed US producer Shel Talmy,
responsible for production on the Who and
Kinks early 45s and a shoal of shimilarly
shtunning shingles.
SUN’S
IN THE SKY – PAUL & BARRY RYAN
Another
rare gem handed to Cat’s buddies Paul
& Barry Ryan for inclusion on their
rare and collectable 1968 album entitled
‘Paul & Barry Ryan’. Cat
took some liberties with the rhyming, “I
still don’t know why you left me here,
in the darkness of monotony, I tell myself
I really don’t care but I know you’re
still red hot on me”!
TIU
RU RU – CHICO BATERA
Chico
Batera’s name may sound familiar to
Cat fans as percussionist on Cat’s
‘Numbers’ album. He also toured
with Cat during the mid ’70s, which
is how this collaboration came about. It
was co-written with Gilberto Gil and was
released in Brazil only, both as a single
and on the compilation album ‘Cuca
Legal’.
Finally,
there’s a rather intriguing l.p. by
a gentleman called David Gordon of Cat Stevens
covers! As Cat fans know, David Gordon is
the name of Cat/Yusuf/Steven’s older
brother. But purely by coincidence?!
© George L. Brown September 2006
CAT STEVENS COVER VERSIONS –
DISCOGRAPHY
NOTE:
THIS IS NOT A DEFINITIVE LIST, IT’S
JUST A SELECTION, BUT HERE’S WHERE
THE MAJORITY OF THOSE ELUSIVE CAT COVERS
CAN BE LOCATED:
CAT
STEVENS COVER VERSIONS listed alphabetically
* = picture cover single, song never issued
by Cat Stevens **, albums/CD titles in capitals,
followed by year of release where known.
AND ALSO THE TREES
Lady D'Arbanville 12" Reflex 12 RE
15 (U.K.) .89
HERB ALPERT
Whistle Song (Whistlestar) A&M AMS 7207
(U.K.) .75
HORACE ANDY
Where Do The Children Play
from THE BEST OF HORACE ANDY Liberty LT
51159 (U.S.) ?
APOLLO 100
Matthew And Son from MELODIES WITH A BEAT
Young Blood International SSYB 300
APOLLO 100
Matthew And Son from TELSTAR MFP 5574 (U.K.)
.82
P.P. ARNOLD
The First Cut Is The Deepest Immediate IM
047 (U.K.) .67
The First Cut Is The Deepest reissue with
p/c Immediate IM 047 (U.K.)
The First Cut Is The Deepest
From P.P. ARNOLD GREATEST HITS Immediate
IML 2006 .77
The First Cut Is The Deepest Nems SV103
(U.K.) .80*
The First Cut Is The Deepest (promo.) Nems
IMS 109 (U.K.) .82
The First Cut Is The Deepest Nems IMS 109
(U.K.) .82
(contains a slightly different version
to the original)
The First Cut Is The Deepest
From KAFUNTA: THE FIRST LADY OF IMMEDIATE
See For Miles SEE 235 .89
The First Cut Is The Deepest
from THE IMMEDIATE COLLECTION CD Summit
SUMCD 4036 (Fra.) .95 .
The First Cut Is The Deepest
from P.P. Arnold THE FIRST CUT CD Castle
Comm. CCS CD 819
(U.K.) .98
AYSHEA
I Love Them All from AYSHEA Polydor 2384
026 (U.K.)
.70
BARRON KNIGHTS
Father And Son from SONGS FROM THEIR SHOW
Tavern MTA 1001
(private pressing, many signed by the
Barron Knights!) (U.K.) .71
CHICO BATERA
Tiu Ru Ru**(Cat Stevens/Gilberto
Gil)
from CUCA LEGALSom Livre 403.6065 (Bra.)
.75
MIKE BATT PORTRAIT
OF
CAT STEVENS DJM DJSL 023 (U.K.) .72
THE BEVERLEY SISTERS
Morning Has Broken THE WORLD OF STARS ON
SUNDAY Vol. 2 (U.K.) .72
THEO BIKEL
I Love My Dog Reprise RV. 20228 (Fra.) .69*
BOYZONE
Father And Son (radio edit)/Father And Son
(album version) CD single Polydor 544574-2
.95
Father And Son (radio edit)/Father And Son
(live)
CD single Polydor 577576-2 (U.K.) .95
BROTHERLY LOVE
Honey Man (Cumberbatch/Stevens) Maple Annie
MA 103 (U.K.) .72
JOHNNY CASH
Father And Daughter
from THE JUNKIE AND THE JUICEHEAD AND ME
CBS 80347 (U.K.) .74
CAT PEOPLE
CAT STEVENS - CAT PEOPLE - A TRIBUTE METRO
444 (U.K.) .00
JIMMY CLIFF
Wild World from GOODBYE YESTERDAY
Island 85 568 ILPS (Hol.) .71
Wild World from IN CONCERT THE BEST OF JIMMY
CLIFF
.Reprise K54089 (U.K.) .76
Wild World from THE BEST OF JIMMY CLIFF
CD Mango RRCD 50 842 773-2 (U.K.)
JUDY COLLINS
Morning Has Broken
from AMAZING GRACE Telstar STAR 2265 .85
SHERYL CROW
The First Cut Is The Deepest A&M 9813556
.10.03
THE CUBAN HEELS
Matthew & Son
flexi disc Virgin VS 440 .81
DANA
Morning Has Broken from EVERYTHING IS BEAUTIFUL
Warwick WW5099 (U.K.) .80
DANISH LOST & FOUND
The First Cut Is The Deepest Laurie LR 3492
(U.S.) .67
DAVE DEE, DOZY BEAKY, MICK AND
TICH
Matthew And Son
from GOLD CD GOLD 105 (Holland) .95
NEIL
DIAMOND
Morning Has Broken Columbia 658826 7 (U.S.)
.92*
(no Cat reference, Farjeon/traditional)
DIRTY
TRICKS
I'm Gonna Get Me A Gun Polydor 2058 739
(U.K.) .76
SASHA DISTEL
Wild World
from MORE AND MORE WBK46117 (U.K.) .71
VAL DOONICAN
Morning Has Broken
from RELAX WITH VAL DOONICAN MFP 5575 (U.K.)
.82
DOUBLE FEATURE
Baby Get Your Head Screwed On Deram DM 115
(U.K.)
.03.67
Baby Get Your Head Screwed On Deram DM 115
(U.K.)
(reissue)
Baby Get Your Head Screwed On
from THE BRITISH PSYCHEDELIC TRIP Vol. 4
See For Miles SEE 206
.87
from THE GREAT BRITISH PSYCHEDELIC TRIP
Vol. 2 CD SEE CD 226 (U.K.) .88
WILLIE ELLISON
Wild World Redbus RBUS 50 .80
DAVID ESSEX
First Cut Is The Deepest
from MISSING YOU CD Polygram 529 582-2 .95
MARIANNE FAITHFULL
Sad Lisa (n.b. orig. '71)
from TRUE CD Music Club 50150 (U.S.) .00
KARI FALL
Can't Keep It In RCA YFPA 1-604 (Swe.) .73
JOSE FELICIANO
Wild World
from THAT THE SPIRIT NEEDS RCA LSP 4573
(Ger.) .71
BERNI FLINT
Moonshadow
from I DON'T WANT TO PUT A HOLD ON YOU EMI
EMC 3184 (U.K.)
.77
DAVID GARRICK
I've Found A Love Piccadilly 7N.35371 .67
I've Found A Love
from DON'T GO OUT IN THE RAIN SUGAR PYE
NPL 38035 (U.K.) .67
THE GENTRYS
Wild World Sun SI-1122 (U.S.)
(promo, yellow vinyl, Stereo/Mono version)
DAVID GORDON
INTEGRAL COVER VERSION OF
CAT STEVENS
Musidisc 30 CV 1979 (Spa.)
(not Cat's brother of the same name!)
GREGORIAN MASTERS OF CHANT
Lady D'Arbanville
from GREGORIAN MASTERS OF CHANT CHAPTER
II
Edel LCO 16 (Ger.) .03
LANI HALL
How Can I Tell You
from SUNDOWN LADY A&M AMLS 64359 (U.K.)
.72
LANI HALL
How Can I Tell You
from SUNDOWN LADY A&M SP 4359 (U.S.)
.72
KEITH HAMPSHIRE
First Cut Is The Deepest (Stereo)/(Mono)
(promo.) A&M 1432 (U.S.) .73
RICHIE HAVENS
Father And Son from THE GREAT BLIND DEGREE
Polydor 2480 049 (U.K.) .71
HEY YOU
Matthew And Son EPIC EPC A2126 (U.K.) .82
MARY HOPKIN
The Wind from EARTH SONG OCEAN SONG Apple
SMAS 3381 (U.K.) .71
HOWL THE GOOD
The Joke from HOWL THE GOOD Rare Earth R5371
(U.S.) .72
HOUSEBOYZ
Father & Son/Cat's Groove 12" Club
Zone LC 3579 (Ger.) .95
MIKE HURST
I Love My Dog/First Cut Is The Deepest
from MIKE HURST AND HIS ALL STAR BAND
DVD Angel Air Waves NJPDVD612 07 .03
JAKOMO/LEONA DALY
Where Do The Children Play? CD Irma Trust
CH 001 .99
JELLYBEAN
Was Dog A Doughnut from WOTUPSKI EMI EE
24 02311 (U.K.) .84
Was Dog A Doughnut 12" EMI 12 EA 210
(U.K.) .84*
Was Dog A Doughnut 12" EMI 12 EAX 210
(U.K.) .84*
Was Dog A Doughnut EMI EA 210 (U.K.) .84*
Was Dog A Doughnut (Frontline Mix)
from JELLYBEAN 12" MIXES Chrysalis
CJB 1 (U.K.) .88
ELTON JOHN
Lady D'Arbanville
from CHARTBUSTERS GO POP! Delta 47 001(U.K.)
.99
Lady D'Arbanville
from LEGENDARY COVERS SUNG BY ELTON JOHN
Vol. 1 & 2
Daily/Sunday Express promotion disc 04/05.06.05
MARTIN KAYE
Changes B&C CB 180 (U.K.) .72
RONAN KEATING
Father & Son from 10 YEARS OF HITS CD
Polydor 9868455 11.10.04
JONATHAN KING
Wild World UK POO 1 (U.K.) .87*
KOOBAS
The First Cut Is The Deepest from LIVERPOOL
1963-68 Charly CM 118 (U.K.) .83
LABELLE
Moonshadow from MOONSHADOW WB BS 2618 (U.S.)
.72
JAMES
LAST
Here Comes My Baby from JAMES LAST GOES
POP Polydor 249 160 (U.K.)
.67
LINDA LEWIS
(Remember The Days Of The) Old Schoolyard
Bell 1405 (U.K.) .74
(Remember The Days Of The) Old Schoolyard
from NOT A LITTLE GIRL ANYMORE Arista ARTY
109 (U.K.) .75
JOE LOSS AND HIS ORCHESTRA
Here Comes My Baby from TOP DANCE TIME HMV
CLP 3644 (U.K.)
.67
SUZANNE LYNCH
Morning Has Broken HMV EA-10124 (Australia)
.73
(produced by Bruce Lynch, both Suzanne
& Bruce were in Cat's Bamboozle/Majikat
band)
MAVERICKS
Here Comes My Baby (promo.) CD single MNCD
260 (U.S.) .99
RALPH McTELL
Morning Has Broken from AT THE END OF A
PERFECT DAY Telstar STAR 2263 .85
(features Gerry Conway & Alun Davies
on the album)
MIKE STUART SPAN
Dear** Columbia DB 8206 .06.67
MR. BIG
Wild World CD single Atlantic A7310 (U.K.)
.93
ALLAN NICHOLLS
The Joke (Stereo/Mono) US Polydor PD-1412
(DJ promo) (U.S.) .72
OLIVER NORMAN
People People** Polydor 56247 12.04.68
(produced by Shel Talmy, never issued
by Cat himself)
BETH ORTON
Wild World from HOW TO DEAL SOUNDTRACK
(Advance) CD Capitol DPRO 7087 6 17834 2
1 .06.03
GENE PITNEY
First Cut Is The Deepest from GENE PITNEY
BACKSTAGE
Polydor 847 119-1 .90
First Cut Is The Deepest from GENE PITNEY
BACKSTAGE CD
Polydor 847 119-2 .90
FRANCK POURCEL
Sad Lisa/Wild World from THINKING OF YOU
Columbia TWO 355 .71
MAXI PRIEST
Wild World from MAXI with bonus extended
remix disc 10 Records
DIXG 64 .88
Wild World 10 Records TEN 221 (U.K.) .88*
Wild World (Long & Saxy)/Wild World
(Instrumentally Saxed)
(poster cover) 12"10 Records TENTP
221 (U.K.) .88
Wild World (Long & Saxy)/Wild World
(Instrumentally Saxed)
12"10 Records TENTP 221 (U.K.) .88
NANA MASKOURI
Morning Has Broken
from SONGS FROM HER TV SERIES Fontana 6312
036 (U.K.) .73
HUGO MONTENEGRO
Peace Train from MAMMY BLUE RCA LSP-4631
.71
MILTON NASCIMENTO
Mountain** from YAUARETE CBS 231023 (Brazil)
.87
Mountain** from YAUARETE CD CBS CK 44277
(U.S.) .88
DOLLY PARTON
Peace Train from CD single (6 different
mixes) (U.S.) Flip It 61868 44000 2 5 .97
Where Do The Children Play
from THOSE WERE THE DAYS (U.S.)
CD SUGAR HILL RECORDS/BLUE EYE RECORDS SUG-CD-407
11.10.05
NEW SEEKERS
Changes IV from WE'D LIKE TO TEACH THE WORLD
TO SING
Polydor 2383 103 .72
Morning Has Broken from IN PERFECT HARMONY
Polydor 2383 226 .73
Morning Has Broken
from LOOK WHAT THEY DONE TO MY SONG, MA
Contour 2870 342 (U.K.)
PAUL & BARRY RYAN
Keep It Out Of Sight** Decca F 12567 (U.K.)
.02.67
Keep It Out Of Sight** Decca DL 25 288 (Germany)
.67*
Keep It Out Of Sight** Decca ME 329 (Spain)
.67*
Keep It Out Of Sight** ( mono. 2'44)
from BARRY RYAN THE SINGLES + CD BR BX 520-2
(Holl.) .98
Keep It Out Of Sight**
From MIKE HURST - Producers Archives Volume
1
(U.K.) Angel Air SJPDCD123 .02
The Sun's In The Sky** from PAUL & BARRY
RYAN MGM-C(S) 8081 .68
(latter song is a major rarity, never issued
by CS)
PETER & GORDON
London At Night**
from PETER & GORDON IN LONDON FOR TEA
Capital T 2747 (U.S.) .67
(major rarity, never issued in U.K.)
SANTANA
Changes IV
from ZEBOP! Columbia FC37158 (Canada) .81
Changes IV (promo.) CBS A 1388 (U.K.) .81
CRAIG SCOTT
Where Are You Columbia DB 8832 (U.K.) 22.10.71
HARRY SECOMBE
Morning Has Broken
from BLESS THIS HOUSE Warwick WW5052 (U.K.)
.78
MIKE SEDGEWICK
Morning Has Broken President PT 348 (U.K.)
.71
CHRIS SIMMONS
Gone Gone Gone** MCA MK 5009 (U.K.) .69
(major rarity)
Gone Gone Gone** KAPP K-2070 (U.S.) .69
(Radio Station Copy)
Gone Gone Gone** MCA SN - 20275 (Spain)
.69*
Wild World MCA MKS 5051 (U.K.) 24.07.70
THE SMITH
Here Comes My Baby Rarn 1.S (U.K.) .81*
ROD STEWART
The First Cut Is The Deepest Riva 7 (U.K.)
.77
STUDIO 99
PERFORM A TRIBUTE TO CAT STEVENS GFS531
(U.K.) .01
SWEET SALVATION
Honey Man (Cumberbatch/Stevens) B&C
CB 136 (U.K.) .70
10,000 MANIACS
Peace Train Elektra ED 5239 (U.S.) .87
Peace Train Elektra EKR 61 (U.K.) .87*
WAYNE THOMAS
I've Never Known A Lady Coral
Q 72491 (U.K.) 07.04.67
LINDA TILLERY
I Love My Dog
from SWEET LINDA DIVINE Columbia CS 9771
(U.S.)
TRAVIS
Don't Be Shy CD single Independiente MCPS/ISOM
78SMS (U.K.) .09.03
TREMELOES
Here Comes My Baby CBS 202519 (U.K.) .02.67
Here Comes My Baby CBS 202519 (U.K.) .02.67
Here Comes My Baby CBS WB 728 (U.K.) .67*
(Pepsi-cola offer mail order single,
Simon on Garfunkel on A-side)
Here Comes My Baby
from THE TREMELOES LIVE IN CABARET CBS 63547
(U.K.) .68
Here Comes My Baby
from THE TREMELOES GREATEST HITS Pickwick
SHM 3097 (U.K.) .81
(new recording of the song)
Here Comes My Baby
from THE TREMELOES - BBC SESSIONS Castle
CMEDD 939 (U.K.) .05.04
(nice 12.04.67 recording from Saturday
Club - Brian Matthew introduction)
JACKIE TRENT
Hummingbird (demo.) Pye 7N 17286 (U.K.)
24.03.67
KIN VASSY
Bitter Blue (sic!) Bell 45,244 (U.S.) .07.72
DAVE WALTON
Lady CBS 2709 (U.K.) .04.67
DAWUD WHARMSBY ALI
Silent Sunlight from THE PROPHET'S HANDS
Sound Vision .10.02
ROGER WHITTAKER
Morning Has Broken/Moonshadow
from FOR MY FRIENDS... Columbia SCX 6512
.72
Peace Train
from IMAGINE RCA AFL1-3077 (Canada) .78
EDWARD WOODWARD
Morning Has Broken
From THE EDWARD WOODWARD ALBUM JAM JAL 103
.72
VARIOUS
Matthew And Son from TOP TEN SPECTACULAR
TTS001 .67
Lady D'Arbanville Avenue AVE 97 (U.K.) .70
Lady D'Arbanville from HOT HITS MFP 1399
(U.K.) .70
Lady D'Arbanville from ENGLAND'S TOP 12
AVE 055 (U.K.)
.70
Wild World MFP 1426 (U.K.) .70
Morning Has Broken from NON STOP TOP 20
Plexium PXMS 1008 (U.K.) .71
Can't Keep It In Avenue AVE 0130 (U.K.)
.72
